| Issue | Title | File | 
		| No 5 (2025) | Anthroponoms in Nikolai Leskov's Сhronicle "Soboriane" ("The Cathedral Folk") |  (Rus)
 | 
	| Korshunkov V.A. | 
		| No 5 (2025) | "Different Mantillas and Bilindryasis": Foreign Cultural Clothing in the Traditional Russian Language Consciousness (Based on the Plays by A. N. Ostrovsky) |  (Rus)
 | 
	| Rostov O.R. | 
		| No 4 (2025) | Three Ragtimes by Andrey Voznesensky: Is One of Them a Sonnet? |  (Rus)
 | 
	| Fedotov O.I. | 
		| No 4 (2025) | Ideologeme Pochva (‘Soil’) and Its Origin (On the Material of Ivan S. Aksakov’s Journalism) |  (Rus)
 | 
	| Sekiro O.O. | 
		| No 3 (2025) | Pitch declination rate in Russian verse |  (Rus)
 | 
	| Kostyuk A.E., Skulacheva T.V. | 
		| No 3 (2025) | “With a hammer on a chisel” (the story of a poetic metaphor in the works of N. Aseev and V. Sosnora) |  (Rus)
 | 
	| Bolnova E.V. | 
		| No 2 (2025) | Pearls by V. Nabokov-Sirin: words and images |  (Rus)
 | 
	| Zhulkova K.A. | 
		| No 2 (2025) | Iambic tetrameter in Russian folk spiritual verses: literary sources, thematic range, metrical and rhythmical peculiarities |  (Rus)
 | 
	| Petrov A.M. | 
		| No 2 (2025) | Metalinguistic reflection in the autobiographical story by V. P. Krapivin “Slavka from Herzen street” |  (Rus)
 | 
	| Rodionova I.G., Kezina S.V. | 
		| No 2 (2025) | Verbal imagery in Grigory Petnikov’s poem “City. Charcoal drawing” |  (Rus)
 | 
	| Ustinova T.V. | 
		| No 1 (2025) | V. K. Trediakovsky’s Syntax in the Aspect of Some Trends in the Development of Russian Literary Language and Poetic Language |  (Rus)
 | 
	| Patroeva N.V. | 
		| No 1 (2025) | Contaminated Russian Speech of Eastern Natives — 20th Century Fiction Characters |  (Rus)
 | 
	| Streltsov A.A. | 
		| No 1 (2025) | Enjambement as an “Operator” of Irony in the Poetry of I. A. Brodsky |  (Rus)
 | 
	| Tumanova E.G. | 
		| No 6 (2024) | Ornithological Metaphor as a Means of Creating a Visible Image in the Poetic Battles of the Early 19th Century |  (Rus)
 | 
	| Potashova K.A. | 
		| No 6 (2024) | Structural-Semantic Analysis of Verbs and Nouns Representing Bird Vocalizations in M. Prishvin’s Artistic and Diary Heritage |  (Rus)
 | 
	| Abreimova G.N., Borodina N.A., Burtsev V.A. | 
		| No 6 (2024) | The Dog Who Tells Lies in Nikolai Gogol’s Comedy “Marriage” |  (Rus)
 | 
	| Korshunkov V.A. | 
		| No 5 (2024) | Family “passports” of N. V. Gogol's comedy “Marriage” |  (Rus)
 | 
	| Vinogradov I.A. | 
		| No 5 (2024) | The polysemy of the lexeme “bread” and its functioning in the Russian folk riddle |  (Rus)
 | 
	| Meshcheryakova O.A., Turko U.I. | 
		| No 5 (2024) | Scientific terms as a part of comparative tropes of modern Russian prose |  (Rus)
 | 
	| Nikolina N.A., Petrova Z.Y., Fateeva N.A. | 
		| No 5 (2024) | Localization and pauses duration in Russian iambic tetrameter in the poetry of A. S. Pushkin |  (Rus)
 | 
	| Kruglova A.V., Smirnova O.S. | 
		| No 5 (2024) | “I desire to live and live... thousands of other lives”: multimythologism in I. A. Bunin’s onomastic code |  (Rus)
 | 
	| Selemeneva O.A. | 
		| No 5 (2024) | “Hunting to die looking at the epoch...” (On the “Shakespeare Sonnet” by A. Voznesensky) |  (Rus)
 | 
	| Fedotov O.I. | 
		| No 3 (2024) | “Thoughtfully and Meekly”. Behind the Line of Okudzhava’s Song “The Visiting Musician” |  (Rus)
 | 
	| Kulagin A.V. | 
		| No 3 (2024) | Poetics of Semantics’ Broadening. Notes on O. Mandelstam’s Vocabulary |  (Rus)
 | 
	| Surat I.Z. | 
		| No 3 (2024) | On Some Errors in the Translation into Azerbaijani of Dostoevsky’s Novel “Devils” |  (Rus)
 | 
	| Taghiyeva M.M. | 
		| No 3 (2024) | Irony in the Epistles and Amphiguri of Antony Pogorelsky |  (Rus)
 | 
	| Terekhova M.V. | 
		| No 3 (2024) | The World Soul Monologue from the Play “The Seagull”: Toward the Issue of Transmutation Adequacy |  (Rus)
 | 
	| Chureyeva O.A. | 
		| No 2 (2024) | Tyrannical Characters by A. N. Ostrovsky in View of the Primary Speech Genres |  (Rus)
 | 
	| Belova O.E. | 
		| No 2 (2024) | “Oh, You, That in Sorrow You Grunble Against God in Vain, Man!..” Functions of the Lomonosov Quote in N. V. Gogol’s Comedy “The Inspector General” |  (Rus)
 | 
	| Vasilyev S.A. | 
		| No 2 (2024) | “Composite formations” as a Stylistic Device (Based on the Material of D. I. Rubina’s Novel “Maniac Gurevich”) |  (Rus)
 | 
	| Dedkovskaya D.M. | 
		| No 2 (2024) | Catherine the Great’s Pastoral Comic Opera “Fedul and His Children” as a Cultural Pattern |  (Rus)
 | 
	| Testova N.R. | 
		| No 1 (2024) | Lexic-semantic Representation of the Image of the Caucasus in the Works of M. Yu. Lermontov |  (Rus)
 | 
	| Kiseleva I.A., Potashova K.A., Ermakova A.S. | 
		| No 1 (2024) | Sound Metaphors in Vera Bogdanova’s novel The Season of Poisoned Fruit |  (Rus)
 | 
	| Sharapova E.V. | 
		| No 1 (2024) | Period in L. N. Tolstoy’s Novel “War and Peace” |  (Rus)
 | 
	| Shutan M.I. | 
	
		| 1 - 34 of 34 Items |  |